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"Garden Blooms" - Set of 2 Floral Paintings

asilhrashid
Acrylic floral paintings pink tiger lily and tulips
Garden Blooms - Set of 2 floral paintings acrylic on stretched canvas 20" x 20"

The "Garden Blooms" set consists of 2 floral acrylic paintings on 20" x 20" square canvasses. I wanted to experiment with different painting techniques and compare and contrast them. One painting was a relatively tight painting with more visible details and texture and the other is a looser more dynamic painting with quick brushstrokes and minimal texture. The first painting, "Summer Lily" is of a pink tiger lily with a hummingbird painted with acrylics on a background of green foliage painted with chalk pastels.

Acrylic painting of pink tiger lily and hummingbird
"Summer Lily"- Acrylic on stretched canvas 20" x 20"

Acrylic floral painting tiger lily with hummingbird

acrylic floral painting pink tiger lily with hummingbird close up

acrylic floral painting pink tiger lily close up of stamen

acrylic floral painting green leafy background

acrylic floral painting close up of pink tiger lily petals

The second one, "Spring Tulips" was created using Ali Kay Studio's technique of creating an underpainting using complementary colors to the finished painting. So I used a purple underpainting for the yellow flowers and a phthalo blue with ultramarine blue underpainting for the red flowers. It was done very loosely and took me just a few days to finish.

acrylic painting tulips with butterfly
"Spring Tulips" Acrylic on stretched canvas 20" x 20"

Spring tulips red and yellow  acrylic painting

Floral acrylic painting tulip flowers

floral acrylic painting flowers tulips on blue background

floral acrylic painting of red tulip flowers

acrylic painting of tulip flowers and long stems

Even though I enjoyed both paintings, I observed my feelings during the process of creating both. "Summer Lily" took me a few weeks to finish. While I initially got lost in the details especially of the hummingbird, eventually, the tightness of the painting started to frustrate me as I felt I was just merely correcting mistakes and moving paint around. At some point I had to call it done and move on. The second painting was a much looser process, especially once I got a solid underpainting down. After that, it was just a matter of putting the mid-tones and highlights in strategic places. My brush technique was much more dynamic as I simply decided where dark values for the shadows and light values for highlights would be placed. Also, I translated those values into shapes, rather than get lost in the details. The painting therefore has more movement and energy to it and despite the slightly darker hue compared to the first painting, it is a more appealing to the eye.


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